![]() ![]() Playing with the physics of its characters and the landscapes, the world of Klaus quickly expands with dozens of unique and differentiated characters.Īdditionally, the use of northern landscapes provides ample opportunity to create picturesque locales. Reminiscent of Tarzan and Treasure Planet (both of which Pablos worked on), the design work creates appealing and compelling characters. ![]() Using new lighting techniques and stylized hand-drawn characters, the glossy characters sparkle to life. However, Pablos and his team deliver a satisfying tale that keeps you engaged in the events, thanks in part to the gorgeous animation. The feature reveals the end-results of Jesper and Klaus’ adventure within the first thirty seconds. As their tales continue to grow, the legend of Santa Klaus is born.ĭirector Sergio Pablos, a Disney-animation veteran, never attempts to pull the wool over the audience’s eyes. However, after he accidentally creates a bond with a toy-making woodsman named Klaus, the two begin to thaw the negative attitudes of the children in town. He risks being exiled, cut-off, and leaving behind his privileged world. With bonds broken, Jesper cannot deliver the 6,000 letters his father requires from him. The town’s key families fight to the death on a daily and weekly basis, simply because they’ve always done so. Sent by his father to the equivalent of a Siberian outpost, Smeerensburg represents an untamed, violent world. As the young postman Jesper (Schwartzman) enters a Seussian feud, he quickly questions his mission. Klaus‘ story may not be overly complex, but it packs an emotional punch. At the same time, it revives a medium that has only seen a handful of releases over the last decade. For Netflix, it represents a brave new venture that could simply be addressing a market inefficiency. While the story can feel straightforward and predictable, Klaus earns its stripes because of the beautiful animation on display. The streaming service entered the animation business over the weekend, releasing its first in-house animated film about a postman ( Jason Schwartzman) who helps create the legend of Santa Klaus (J.K. ![]() That makes Netflix‘s Klaus something of an exciting proposition. While hand-drawn animation remains vibrant outside the United States, thanks in no small part to Studio Ghibli and GKIDS animation, American audiences are rarely treated to these kinds of films. Rather than blame weak story-telling (with films like Home on the Range and Sinbad: Legend of the Seven Seas rarely inspiring future generations of cinephiles), hand-drawn productions were kicked to the side. The studios almost entirely shut down their hand-drawn features (with a couple notable exceptions), and moved entirely into CG animation. Meanwhile, Disney and Dreamworks released bomb after bomb from their hand-drawn departments, while Shrek went on to become the highest-grossing animated film at the time of its release. As Pixar continued to thrive, thanks in large part to the wonderful stories they were telling with Finding Nemo, Toy Story and The Incredibles leading the way. During the mid-2000s, animation studios began to misunderstand why their films were bombing. ![]()
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